Sen. Barack Obama met yesterday with several faith leaders, from a variety of political perspectives, in a private closed door meeting. Among the attendees, Rev. Franklin Graham, whose presence was deemed significant by CBN reporter David Brody, since Graham has yet to meet with McCain. Issues discussed included the senator’s support for abortion rights and gay rights.
Steve Strang, the founder of Charisma Magazine, attended and wrote this about the private meeting on his blog, The Strang Report, describing Obama’s response to his question on abortion as being "more centrist than expected."
The questions were mostly “softball” questions in my opinion. I was
concerned after three or four general questions that we wouldn’t ask
the most important questions. So I raised my hand and he called on me.
I said, “Senator, I want to ask a question I’m sure you are expecting
regarding your position on abortion. I represent a segment of the
church where nearly everyone considers the issue of supporting life to
be the most important issue and where nearly everyone would be opposed
to abortion. I want to ask what your stand on abortion is and if you
believe what I think you believe, how you justify that with your
Christian faith and why you think we should vote for you.”
his response was “off-the-record,” I can say that the time he took to
answer was probably 15 minutes. He came across as thoughtful and much
more of a “centrist” than what I would have expected. He did not appear
to be the crazy leftist that is being supported by George Soros and his
radical leftist friends. Sen. Obama looked me in the eye as he answered
my question, almost as if it were a one-on-one interview. I had already
read the chapter on “faith” in his book the “Audacity of Hope.” If you
want to know how he answered the question, read that chapter.
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What Mr. Strang and many of his fellow prohibitionists in the "pro-life" movement fail to realize is that many pro-choice people are "more centrist" than they expect. It is their failure to give any ground on the abortion issue, to even discuss education and prevention issues, that many progressives and liberals support, that has resulted in the divisive nature of the debate about legal abortion.
It isn’t the "left" that needs to move on the issue of legal abortion, it is the far right — those who are pure prohibitionists, anti-contraception, advocating for abstinece-only-until-marraige programs — for they have used this issue to gain power and allowed people like Karl Rove to use it to manipulate others of genuine belief and good faith to win elections.
Perhaps Mr. Strang, and others, can one day find their way toward the "more centrist" views that the vast majority of Americans hold when it comes to sexuality education, contraception, and women’s rights to safe, legal abortion. As we often say on this site, prohibition will not stop abortion, only make it unsafe for the women who seek it.
About 30 people attended, the campaign said, but it released only
three names: the Rev. Stephen Thurston, head of the National Baptist
Convention of America, Inc., a historically black denomination; the
Rev. T. Dewitt Smith, president of the Progressive National Baptist
Convention, Inc., which was home to the Rev. Martin Luther King Jr. and other civil rights leaders; and Bishop Phillip Robert Cousin Sr., an A.M.E. clergyman and former NAACP board member.
Two sources familiar with the meeting, but who spoke on background
because the session was private, said others attending included
conservative Catholic constitutional lawyer Doug Kmiec; evangelical
author Max Lucado
of San Antonio; Cameron Strang, founder of Relevant Media, which is
aimed at young Christians; the Rev. Luis Cortes of Esperanza USA; and
Paul Corts, president of the Council of Christian Colleges and
Jill Stanek refuses to believe the facts as reported about who attended, preferring to lead her readers to believe that no Catholics, or Evangelicals, were present. Once again, Jill gets it wrong.
HUSH relies almost exclusively on interviews with renowned anti-choice “experts” whose work has been discredited. They trot out many of the worn theories that have been rejected by medical and public health experts. The innovation of HUSH, however, is that it has reframed these discredited ideas within the construct of a conspiracy theory.
Another day, another secret recording made in an abortion clinic.
At least, that’s the very strong impression given by some of the scenes contained within the documentary film HUSH, which premiered late last year and is currently making the rounds of film festivals and anti-choice conferences in the United States and internationally, including the National Right to Life Convention that took place in Virginia last month.
The film is the creation of Mighty Motion Pictures and Canadian reporter Punam Kumar Gill, who says in the film that she is pro-choice, a “product of feminism.” It purports to tell the story of “one woman,” Gill, who “investigates the untold effects of abortion on women’s health.”
HUSH—which claims in the film’s credits to have received support from the Canadian government—attempts to cast itself as neither pro-choice nor “pro-life,” but simply “pro-information.” The producers insist throughout the film, in their publicity materials, and in private emails seen by Rewire that their film is objective and balanced.
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That’s how they pitched it to Dr. David Grimes, a highly respected OB-GYN and a clinical professor in the Department of Obstetrics and Gynecology at the University of North Carolina School of Medicine, who agreed to do on-camera interviews for the film. Grimes now says the producers and reporter misled him about their intentions.
“There was no balance,” Grimes told Rewire. “It’s a hatchet job. It’s obvious.”
Indeed, HUSH relies almost exclusively on interviews with renowned anti-choice “experts” whose work has been discredited, many of whom are featured in Rewire‘s gallery of False Witnesses. They trot out many of the worn theories that have been rejected by medical and public health experts—namely, that abortion is linked to a host of grave physical and mental health threats, “like breast cancer, premature birth, and psychological damage.”
The innovation of HUSH, however, is that it has reframed these discredited ideas within the construct of a conspiracy theory.
When Anti-Choice “Science” Goes Conspiracy Theory
As a piece of propaganda, the use of the conspiracy theory has the advantage of removing the debate over abortion’s safety from the realm of logic. In HUSH‘s topsy-turvy world, the medical establishment becomes the scare-quoted “Medical Establishment,” and the more distinguished or authoritative a person or organization, the more suspect they become.
For reasons that remain murky, the film’s thesis is that the world’s leading reproductive and health organizations—including the National Cancer Institute, the American Cancer Society, the American Congress of Obstetricians and Gynecologists, and the World Health Organization, along with all of their staff, contractors, and affiliated experts—have been hiding information about the risks of abortion.
This is most apparent when the reporter, Gill, tells the viewers that “if women have the right to abortion, they should also have the right to know” about the risks she believes she has identified.
Later, the film shows graphics highlighting the states that have various informed consent laws—some of which are literally called “A Woman’s Right to Know” acts—that force providers to give patients false information about the safety of abortion. Rather than concluding that the authority of the state has been used to mandate that doctors provide medically unsound “counseling” using the very junk science that Gill presents throughout the film, she hews to the back-to-front logic of all conspiracy theories. In her view, the existence of these laws shows that the risks are real, but that the faceless, nameless “they” still won’t let women in on the their deadly secrets.
In Gill’s world, the unwillingness of organizations to speak with her becomes evidence that they are hiding something.
The American Congress of Obstetricians and Gynecologists tells Gill that it won’t fulfill her requests by giving her an interview because the science is settled; Gill sees this as a sign of conspiracy.
“This is where I started to feel equally suspicious of those denying any link,” Gill tells the viewer, her voice floating over inky footage of the U.S. Capitol at night. Lights from the Capitol dance on the velvety surface of the Lincoln Memorial Reflecting Pool, and Gill confides: “I felt like I was digging into something much deeper and darker.”
A comical scene ensues where Gill is astonished to find that turning up with a film crew on the grounds of the National Cancer Institute does not suddenly persuade it to grant her an interview with one of its experts.
“What was going on here?” says Gill in her voiceover. “It was like they really didn’t want any questions being asked.”
In fact, the National Cancer Institute had replied to Gill’s multiple requests with links to its website, which contains the conclusive studies that have long since dispelled the notion that any link exists between abortion and breast cancer. The film shows footage of those emails.
Furthermore, Grimes provided Rewire with copies of emails he had exchanged with the film’s producers during its production, in which he gave them citations to relevant studies and warned them that the work of the anti-choice “experts” they had approached had been thoroughly debunked.
After seeing the film, Grimes emailed the producers inquiring why they hadn’t simply asked him to connect them with additional experts.
“Had you truly wanted more pro-choice researchers to speak to these issues, I could have named scores of colleagues from the membership of the Society for Family Planning and Physicians for Reproductive Health who would have been happy to help,” Grimes wrote in a note he shared with Rewire. “You did not ask. That some organizations like the National Cancer Institute did not want to take part in your film in no way implies a reluctance on the part of the broader medical community to speak about abortion research.”
It seems that Gill—whose online biographies give no indication that she is a scientist—would not have been satisfied in hearing about existing research. She tells the viewers that, in her view, “more study is needed to determine the extent of the abortion-breast cancer link,” and concludes that “to entirely deny the connection is ludicrous.”
In an interview with Rewire, Grimes noted that doing such research would be viewed as unethical by reputable scientists.
“That issue is settled, and we should not waste limited resources that should be directed to urgent, unanswered questions, such as the cause of endometriosis and racial disparities in gynecologic cancers,” he said.
Grimes made his dissatisfaction clear to the producers. He wrote to them: “My inference after viewing the film is that you are suggesting a large international conspiracy of silence on the part of major medical and public health organizations, the motivation for which is not specified.”
The corollary to the suspicion cast over the most reputable research and representative bodies is that the film transforms the marginal status of the anti-choice “experts” into a boon.
Seen through HUSH‘s conspiracy theory lens, the fact that the work of people like Priscilla Coleman, David Reardon, and Angela Lanfranchi is rejected by the medical establishment becomes proof not of the unsoundness of their ideas, but rather that a conspiracy is afoot to silence them.
Instead of presenting this small but vociferous group of discredited activists as outliers—shunned because their theories have no scientific basis, or because they lack any credentials relevant to reproductive or mental health, or because they have repeatedly mischaracterized data—HUSH paints them as whistle-blowing renegades determined to set the truth free.
A tearful Lanfranchi recounts the story of patients who came to her with aggressive breast cancer in their 30s. Lanfranchi says she strove to understand “why this was happening,” and realized that each of these young women had had abortions, which she then concluded had caused their cancer. Lanfranchi said her hopes that the public would learn of this risk were dashed over time.
“Over the years I’ve realized that, no, it didn’t matter how many studies there were,” she tells viewers. “That information was not going to get out.”
Joel Brind says that he has worked with a colleague whom he says he later discovered was pro-choice, but that their views on abortion never came up. “This is about science,” he tells Gill. “This is about the effect on women and whether or not abortion increases the risk of breast cancer. Period.”
Gill asks both Lanfranchi and Brind whether they are trying to “stop abortion,” or whether they “want abortion to go away.” Both answer that all they want is for women to be informed when they exercise their choice.
The film makes no mention of the fact that both have been anti-choice activists for decades; they have each testified in support of anti-choice laws in both legislative and judicial proceedings, and both have participated in the extreme right-wing, anti-choice, anti-LGBTQ World Congress of Families.
To the extent that HUSH acknowledges these activists’ bias, it is couched in a softer light that is linked, implicitly, to their religious views—a reality raised by Grimes in his on-camera interview, in which he notes, accurately, that the anti-choice “intellectuals” often lack the relevant medical or scientific qualifications to do the type of work they purport to do, but that they do tend to share religious convictions that lead them to oppose abortion and contraception.
That allows the producers to imply that the False Witnesses are perhaps victims of discrimination; to suggest that their work is being discounted because of the activists’ religious beliefs, and not because the work itself has been thoroughly debunked. Play the ball, not the man, appears to be the producers’ plea.
It’s a conspiracy theory twilight zone: where medical groups withhold information for reasons so cloudy that they cannot be articulated, but where people who have for years worn their beliefs on their sleeves cannot be evaluated with those political views in mind.
After asserting that she is, herself, pro-choice, Gill says she “finds validity” in the claims of the anti-choice advocates, and that she finds it “sickening” that the “media and health organizations have spent their energies closing the case and vilifying those who advocate in favor of the link, instead of investigating any and all reasons why breast cancer rates among young women have increased and women are dying.”
The producer, Joses Martin, did not answer Rewire’s questions about the experts he and his team had selected, other than to say, “We are very proud of the balanced approach that we’ve taken in this documentary that is neither anti-abortion nor pro-abortion.”
Another Instance of Secret Recordings Made in Abortion Clinics
What troubles Grimes most about the film is not so much that he was cast as the face of an international conspiracy by virtue of being the sole pro-choice physician to appear on camera, but that he may be associated with people who appear to have made secret recordings in at least one abortion clinic.
The footage and audio in question have been heavily edited, and it is difficult to discern what is real from what has been staged or spliced to give certain effects.
Early in the film, Gill is shown standing in the entry path to what the producers identify as a “Seattle abortion clinic.” As she makes her way inside, the footage swaps to guerilla-style, hidden camera shots, which capture wall artwork that appears in some Planned Parenthood clinics. Viewers see Gill’s face in the waiting room, as well as blurs of other people there. The film then swaps to audio recordings without any video footage. Gill can be heard posing as a patient, receiving counseling from a woman who is identified as a “health center manager.” This audio is used twice more during the film.
In Washington state, it is a crime to make audio or video recordings of people without their consent. Similar laws are in place in California, Florida, and Maryland, states where David Daleiden and his co-defendants from the Center for Medical Progress made their surreptitious videos of Planned Parenthood employees and members of the National Abortion Federation.
Grimes asked the producers whether they had obtained permission to make any of those recordings; Rewire asked the producers whether the recordings were in fact made in Seattle.
The producer, Joses Martin, replied to Grimes that he would “not be disclosing the name or location of the clinic or the name of the individual recorded to yourself or anyone else.”
“We have kept this information undisclosed and private both in the film and out of the film to not bring any undue burden on them. We’re certainly not implicating anyone involved of wrong doings, as was the goal in the Center For Medical Progress case,” Martin wrote in an email shared with Rewire.
In an email to Rewire, Martin did not answer our specific questions about the recordings, but asserted, “We did not break any laws in the gathering of our footage.”
Planned Parenthood had no comment on whether the crew had obtained consent to film inside its clinics, or whether Gill had misrepresented herself throughout her conversation with the counselor. Nor did the organization comment on the increasing use of secret recordings by anti-choice activists within its clinics. In a federal suit, Planned Parenthood has sued Daleiden for breaches of similar laws in California, Florida, and Maryland.
The branch of the Canadian government that the producers credited with supporting the film was less sanguine when informed about the apparent use of secret recordings made in American abortion clinics.
The film’s credits say that it was produced “with the assistance of the Government of Alberta, Alberta Media Fund,” but when Rewire contacted that Canadian province to learn why it had funded a piece of anti-choice propaganda, a spokesperson distanced the fund from the film.
“We have entered into conversations with the production company but we do not at this point have a formal agreement in place, and we were not aware that the production had been completed,” the spokesperson said. “We’re not able to comment on any funding because to date we have not funded the project. Thank you for bringing the use of our logo to our attention and we’ll be in touch with the producers to discuss.” The producers did not reply to Rewire’s question about their use of the logo.
Ironically, while the producer, Martin, did reply to emails from both Grimes and Rewire (albeit without answering specific questions), the reporter, Gill, remained silent. She never answered questions about what she knew about the backgrounds of the False Witnesses to whose work she lent such credence. She didn’t respond to our questions about whether she obtained permission to record video or audio within abortion clinics, or where those clinics were located. And she didn’t reply to our questions about the nature of her relationship with the extreme anti-choice group Live Action, who also received a credit at the end of the film.
To a reporter such as Gill, such silence would surely have been deeply suspicious.
Rewire Investigative Reporter, Amy Littlefield, contributed to this report.
Among the only contributions to the national dialogue taking place over racial justice and state violence was a card circulated in the exhibit hall by a group called the Radiance Foundation that read “All Lives Matter In & Out of the Womb.”
As one of the nation’s largest anti-choice groups launched its three-day conference in Herndon, Virginia, Thursday, a very different conversation was underway on the national stage.
Across the country, peaceful protests erupted over the police killings of Alton Sterling in Baton Rouge, Louisiana, and Philando Castile in Falcon Heights, Minnesota.
As Rewire’s Imani Gandy has documented, the anti-choice movement has long attempted to appropriate the language of racial justice and the #BlackLivesMatter hashtag as part of a wider effort to shame Black women and cast abortion as “Black genocide.”
But at the National Right to Life Convention, the overriding response to last week’s police killings was silence. Among the only contributions to the national dialogue taking place over racial justice was a card circulated in the exhibit hall by a group called the Radiance Foundation that read “All lives matter In & Out of the womb.”
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Rewire asked convention director Jacki Ragan whether she thought the issue should have been raised explicitly at the conference.
“We are very single issue,” Ragan said. “We are here because of a threat to human life. We believe the unborn child is a human being from the moment of fertilization. We believe the disabled should have the same rights, [the] elderly should have the same rights, so we’re very single issue. So, no, I don’t really think it would be appropriate to address what had happened other than through prayer at the conference.”
At a prayer breakfast on Friday morning, after conference-goers awoke to the news five police officers had been killed by a gunman in Dallas, Rev. Dennis Kleinmann of St. Veronica Catholic Church in Chantilly, Virginia, prayed for guidance “to make this a better world, a world free of war and violence of every kind, including attacks on those who protect us.”
Ernest Ohlhoff, National Right to Life Committee outreach director, addressed the violence more directly.
“I don’t know if any of you heard the news this morning, but unfortunately we had another catastrophe in our country,” he said. “Five police officers in Dallas were killed in a shooting and [at least] six wounded, and I would ask you to pray for them and their families.”
No prayers were offered for Alton Sterling, Philando Castile, or their families.